Introduction

This etude (study) belongs to Fernando Sor’s “24 Studies for Guitar, Op. 35”. Whilst Sor’s more famous pieces take the limelight it is important to remember his significant contribution to the development of guitar technique. The Spanish guitarist/composer is probably most well-known for his ‘Variations on a Theme of Mozart’. Sor was widely traveled and lived in Paris, London, Moscow and toured Europe extensively before spending his final years in Paris.

Etude No. 2, Op. 35 by Fernando Sor is a seminal work in the classical guitar repertoire, exemplifying the elegance and technical rigour of Sor’s compositional style. Fernando Sor, often referred to as the “Beethoven of the Guitar,” was a prominent 19th-century Spanish guitarist and composer whose works have profoundly influenced the development of classical guitar music. His compositions are renowned for their melodic beauty, harmonic richness, and structural clarity, making them essential studies for guitarists.

Etude No. 2, Op. 35, is a brilliant example of Sor’s pedagogical approach, focusing on developing finger independence and right-hand technique. The piece features a series of arpeggiated patterns and smooth, flowing lines that demand precise control and articulation. The etude’s lyrical quality and harmonic depth provide a musical context that goes beyond mere technical exercise, allowing guitarists to explore expressive phrasing and dynamic nuances.

Performing Etude No. 2 requires a refined technique and a keen sense of musicality. The guitarist must maintain clarity and evenness in the arpeggios while bringing out the melodic lines with expressiveness. The piece also emphasises the importance of tone production and dynamic contrast, encouraging the performer to explore the full range of the guitar’s capabilities.

Etude No. 2, Op. 35 serves not only as a valuable technical study but also as a beautiful concert piece that highlights the guitar’s lyrical and expressive potential. Sor’s ability to blend technical challenges with musical elegance ensures that this etude remains a cherished and enduring part of the classical guitar repertoire.

This brilliant little etude from Fernando Sor will help the aspiring guitarist develop several important theoretical and technical points:

• Starting a piece with an anacrusis (upbeat)

• Playing in C major

• Understanding the tempo indication Andantino and its BPM

• Recognising the accidentals D# & F#

• Using the same right-hand finger several times in succession

Musical Style

Fernando Sor’s musical style is a synthesis of Classical elegance and Romantic expressiveness, marked by lyrical melodies, rich harmonies, and sophisticated structures. Known as the “Beethoven of the Guitar,” Sor’s compositions reflect his deep understanding of both guitar technique and broader musical forms. His works often feature intricate counterpoint, balanced phrasing, and dynamic contrasts, making them both technically demanding and musically rewarding. Sor’s contributions to guitar pedagogy, particularly through his studies and etudes, have left a lasting legacy, shaping the development of classical guitar repertoire and technique.

Notable Pieces

Five notable pieces by Fernando Sor:

• Grand Solo, Op. 14

• Variations on a Theme by Mozart, Op. 9

• Fantaisie élégiaque, Op. 59

• Etude No. 6, Op. 29

• Etude No. 17, Op. 6

Let your fingers fly!

Josh

Course Instructor

Joshua Rogers Author

A teacher and lover of all things guitar!

Course Information

Difficulty: Beginner

Categories: Classical Guitar Composers, Classical Guitar Music, Classical Guitar Pieces

Tags: Classical guitar etudes, classical guitar full score tutorial, classical guitar sheet music and tabs, Etude No. 2 instructional videos, Etude No. 2 Op. 35 guitar course, Fernando Sor classical guitar lessons, learn Etude No. 2 Op. 35 on guitar, Sor guitar transcription course

Course Instructor

Joshua Rogers Author

A teacher and lover of all things guitar!