Introduction

Isaac Albéniz was a Spanish pianist and composer who lived during that latter part of the 19th century and on into the early part of the 20th century. Although his compositions were written for the piano their popularity as transcriptions for guitar have often surpassed their popularity on the original instrument – piano.

The beautiful “Mallorca Op. 202” was composed in 1890 whilst Albéniz was living in London. Although the title bears the ‘Barcarole’ it is in reference to a lament sung on the island of Mallorca when one is grieving for the loss of a loved on rather that the ‘Barcarola’ of the Venetian gondoliers.

“Mallorca, Op. 202” by Isaac Albéniz is a deeply evocative piece that captures the essence of the Spanish island it is named after. Originally composed for piano, this piece has been beautifully transcribed for classical guitar, allowing guitarists to explore Albéniz’s rich harmonic language and lyrical melodies. Isaac Albéniz, a prominent figure in Spanish music, is renowned for his ability to blend traditional Spanish folk elements with classical forms, creating works that are both technically challenging and emotionally profound.

“Mallorca” is a barcarola, a piece that traditionally mimics the gentle rocking motion of a boat on water. The music conveys a sense of nostalgia and longing, with its flowing arpeggios and haunting melody. The piece opens with a serene and contemplative introduction, setting a reflective mood that permeates throughout. As the piece progresses, it builds in intensity, with rich harmonies and dynamic contrasts that showcase the guitar’s expressive range.

“Mallorca, Op. 202” stands as a testament to Albéniz’s genius in creating music that is both technically demanding and deeply expressive. It has been transcribed for classical guitar by many guitarists who strive to not only preserves the piece’s original beauty but also highlights the instrument’s ability to convey profound emotion.

Below are some interesting points to note:

• The guitar transcription is in D-minor whilst the original composition is in F-sharp minor. The 6th string should be tuned down a whole tone to D.

• At bar 34 there is a key change to the tonic major – D-major.

• From a technical standpoint there are several demanding stretches that need to be held in order to keep the sustain alive.

Musical Style

Isaac Albéniz’s musical style is a masterful fusion of traditional Spanish folk music and classical forms. His compositions often feature vibrant rhythms, rich harmonies, and evocative melodies that capture the essence of various Spanish regions. Albéniz’s piano works, many of which have been transcribed for classical guitar, showcase his ability to blend the lyrical qualities of Spanish dance and song with sophisticated harmonic and structural elements. His music is known for its emotional depth and technical complexity, making it both challenging and rewarding for performers. Albéniz’s works continue to influence and inspire musicians, highlighting the richness of Spanish musical heritage.

Notable Pieces

Five notable pieces by Isaac Albéniz:

• Asturias (available as a course here on NBN Guitar)

• Cádiz (from Suite Española, Op. 47)

• Granada (available as a course here on NBN Guitar)

• Sevilla (available as a course here on NBN Guitar)

• Tango in D (from España, Op. 165)

Let your fingers fly!

Josh