Vals Venezolano No. 2 'Andreina' Online Classical Guitar Lesson
Antonio Lauro wrote a very beautiful yet technically challenging set of waltzes for the classical guitar. Although they each have individual names they are also numbered for easy reference. The affectionate name for this piece is 'Andreina' or 'Vals Venezolano No. 2'.
This piece is in the key of E minor and it moves at a rather frenetic pace as is typical of all of Lauro's waltzes. Ligados, harmonics, and frantic bass lines are all here and as such I have painstakingly added revised fingerings for the left & right hands to ease and accelerate the learning process.
My arrangement has complete fingering suggestions for both hands and video tutorial(s) to guide you through the piece from beginning to end.
7 pages featuring:
Sheet music with tabs underneath (complete fingerings for both hands)
Sheet music only
Tabs only
Antonio Lauro was an awesome Venezuelan guitarist and composer. This particular waltz is also known as 'Natalia'. It seemed that Lauro had a fondness for naming his waltzes after women.
This piece is taken from his collection know as 'Quattro Vals Venezolanos' meaning 'Four Venezuelan Waltzes'.
My arrangement has complete fingering suggestions for both hands to guide you through the piece from beginning to end.
12 pages featuring:
Sheet music with tabs underneath (complete fingerings for both hands)
Sheet music only
Tabs only
INTRODUCTION
Vals Venezolano No. 2 or 'Andreina' as it is also known belongs to a set of waltzes composed by the Venezuelan classical guitarist & composer extraordinaire Antonio Lauro. This particular piece belongs to a collection of his waltzes known rather unimaginatively as 'Quattro Vals Venezolanos' or 'Four Venezuelan Waltzes' probably named by the original publisher.
As I always do I have added in a new set of fingerings for the left & right hands to facilitate easier & faster learning of this beautiful Venezuelan waltz
Performance Points
- Relax. This piece is quick and complicated and it's easy to become tense as it progresses
- Try a diminuendo instead of the more obvious and ubiquitous crescendo as you move up towards the high E on the 12 fret of the 1st string
- Use open strings to help with the big position shifts towards from the 1st fret to the 7th fret, and from the 12 fret to the 2nd fret
